Ignacio Liprandi: ahora galería

Uno de los coleccionistas más aprendidos y respetados de la escena contemporánea, Ignacio Liprandi abre su propia galeria en Avenida de Mayo 1480 con su nombre y todo para uno de los proyectos más excitantes del presente.

Pasar del coleccionismo a tu propio espacio debe requerir cierta valentía.
¿Valentía? Ninguna. Hace varios años que como coleccionista percibía la necesidad de más y mejores galerías en América Latina en general y en la Argentina en particular.

¿Qué había que mejorar, entonces?
Cuando hablo de la necesidad de mejores galerías me refiero a ser más proactivo en la difusión internacional de los artistas que representan. Eso, basicamente. Es salir a jugar el juego internacionalmente desde el momento inicial.

Hay una cierta pluralidad en el catálogo. Fabián Bercic es una propuesta muy distinta a Tomás Espina, por ejemplo.
La pluralidad en la propuesta estética es relativa, son todos artistas claramente identificados con lo más contemporáneo. Es cierto en cambio que las temáticas y los soportes que utilizan son variados, que corresponden a mis intereses múltiples. En última instancia lo que unifica es mi mirada al elegirlos para sumarlos al proyecto.

¿Cuánto pesa el gusto del público?
No me parece relevante. Muestro y vendo lo que yo considero bueno, le guste o no al grueso de la gente. De todos modos creo que la tensión entre calidad y masividad no siempre existe, uno puede tener llegada a un público amplio con una excelente propuesta, si se toma el trabajo de explicar a los no iniciados el sentido más profundo de lo que ven.

Tu gusto tiene un peso clarísimo.
Inevitablemente mis 13 años de coleccionismo, sumados a ver arte desde los 15 me colocan en una situación distinta al del grueso de la gente. Lo considero una ventaja, ya que me habilitan particularmente como galerista, por la credibilidad de la que goza mi mirada.

¿Todavía es importante consumir nueva cultura? El seguir la búsqueda, y no aburguesarse al respecto.
¡De enorme importancia! Aunque poco ejercida por el grueso de la élite socioeconómica del país. O sea, cuánta gente conocemos con fantásticos departamentos, autos, y casas con porquerías en sus paredes. Eso habla de su nivel cultural.

¿Y la falla general de las galerías en Buenos Aires? Si es que la hay.
Falta de recursos económicos. Es decir, ¿por qué hay galeristas que no consideran necesario invertir en su negocio, como es el caso de otros emprendimientos comerciales? Y de nuevo, vocación por la difusión internacional, que tiene que ver con lo pueblerina que es la sociedad argentina, lo que trae como consecuencia su excesiva tendencia a mirarse el ombligo.

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