Portfolio arteBA: Nora Fisch

O nuevas galerías, reales, virtuales, lo que sea. Es tarea temeraria. La nueva sangre que muestra arte en Buenos Aires y en arteBA.

FOTOS: Jorge Miño

¿Qué implica ser una galería nueva en Buenos Aires?
¡Es fantástico! Esta década va a ser importante, el arte argentino contemporáneo está en estado de ebullición. Vamos a ver cuándo rompe el hervor, y cómo se puede contribuir a que suceda.

¿Qué los diferencia de las decenas de galerías que hay en Buenos Aires? ¿Qué ofrecen de nuevo?
Mi ojo y criterio fueron formados durante veinte años de vivir en Nueva York y estar inmersa en el arte contemporáneo internacional. Cada lugar tiene sus consensos; sin que implique un juicio de valor, mi mirada y manera de hacer las cosas necesariamente va a ser diferente. Con Leo Estol, que trabaja conmigo, nos proponemos desarrollar un programa coherente. Mi objetivo es representar un número acotado de artistas, cuya obra se sostenga desde una perspectiva global, y trabajar con intenso compromiso hacia ellos promoviendo sus carreras tanto acá como en el exterior. De todos modos, decenas de galerías en una ciudad como Buenos Aires es poco. Sólo en el barrio de West Chelsea hay más de doscientas galerías en menos de un kilómetro cuadrado.

¿Qué hay para corregir en el mercado de arte en Argentina? ¿Qué hay que mejorar hoy en día?
Creo aún que no se reconoce el rol que tiene una galería. La tentación de “puentear” a la galería y comprar en el taller del artista es grande. Las galerías necesitan el apoyo de los coleccionistas, quienes a su vez necesitan el trabajo serio de las galerías para que sus obras continuen valorizándose.

ArteBA: ¿qué es lo importante? ¿Qué puentes crea?
Es la gran vidriera, la conexión con el público general.

¿Quién va a ganar el Mundial?
Argentina, aunque los taxistas –que de ésto saben– opinan lo contrario.

¿Algo en web?


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